Daum
Naver
[Premiere Pro Mastering Effects and Transitions] : 화면전환시 쓰이는 Effect입니다.
Adobe+Premiere+Pro+CS6+6.0.0+LS7+Multilanguage.torrent
Premiere Pro CS6 ClassRoom.pdf
adobe-premiere-pro-cs6-classroom-in-a-book.vol1.egg
adobe-premiere-pro-cs6-classroom-in-a-book.vol2.egg
▲Full Version 업로드 용량제한으로 분할압축했습니다. (▶LINK)
Contents
Getting Started
About Classroom in a Book
Prerequisites. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
미리 필요한것들
Installing Adobe Premiere Pro CS6. . . . . . . . . . . . . . . . . . . . . . . . . . . 2
설치하기 (▶LINK 참고)
Adobe Premiere Pro CS6 trial. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Optimizing performance. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
최적화 시키기
Copying the lesson files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Relinking the lesson files. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
How to use these lessons. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Additional resources. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Adobe certification. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Checking for updates. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
1 Touring Adobe Premiere Pro CS6
둘러보기 프리미어 프로 CS6
Getting started. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Nonlinear editing in Adobe Premiere Pro. . . . . . . . . . . . . . . . . . . 10
Expanding the workflow. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Touring the Adobe Premiere Pro interface. . . . . . . . . . . . . . . . . . 16
2 Setting Up a Project 24
Getting started. . . . . . . . . . . . . . . . . . . . . 26
Setting up a project. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Setting up a sequence. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
3 Importing Media 48
Getting started. . . . . . . . . . . . . . . . . . . . . . . 50
Importing assets. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
Working with the Media Browser. . . . . . . . . . . . . . . . . . . . . . . . . . . 54
Importing images. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
The media cache. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64
Capturing from videotape. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
4 Organizing Media
Getting started. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
The Project panel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Working with bins. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Organizing media with content analysis. . . . . . . . . . . . . . . . . . . . 89
Monitoring footage. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
Modifying clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
5 Essentials of Video Editing
Getting started. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Using the Source Monitor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Navigating the Timeline. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
Essential editing commands. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
6 Working with Clips and Markers
Getting started. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128
Program Monitor controls. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128
Controlling resolution. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
Using markers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135
Using Sync Lock and Track Lock. . . . . . . . . . . . . . . . . . . . . . . . . . . 140
Finding gaps in the Timeline. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141
Moving clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144
Extracting and deleting segments. . . . . . . . . . . . . . . . . . . . . . . . . 146
7 Adding Transitions
Getting started. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152
What are transitions?. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152
Edit points and handles. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154
Adding video transitions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155
Using A/B mode to fine-tune a transition. . . . . . . . . . . . . . . . . . 161
Adding audio transitions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166
8 Advanced Editing Techniques
Getting started. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172
Four-point editing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172
Retiming clips. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 174
Replacing clips and footage. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180
Nesting sequences. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185
Regular trimming. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 188
Advanced trimming. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189
Trimming in the Program Monitor panel. . . . . . . . . . . . . . . . . . . 196
9 Putting Clips in Motion 204
Getting started. . . . . . . . . . . .. . . . 206
Adjusting the Motion effect. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206
Changing clip position, size, and rotation. . . . . . . . . . . . . . . . . . 211
Working with keyframe interpolation. . . . . . . . . . . . . . . . . . . . . . 218
Using other motion-related effects. . . . . . . . . . . . . . . . . . . . . . . . 222
10 Multicamera Editing 230
Getting started. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 232
The multicamera process. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 233
Creating a multicamera sequence. . . . . . . . . . . . . . . . . . . . . . . . . 234
Switching multiple cameras. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 238
Finalizing multicamera editing. . . . . . . . . . . . . . . . . . . . . . . . . . . . 240
Additional multicamera editing tips. . . . . . . . . . . . . . . . . . . . . . . 242
11 Editing and Mixing Audio
Getting started. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 246
Setting up the interface to work with audio. . . . . . . . . . . . . . . . 247
Examining audio characteristics. . . . . . . . . . . . . . . . . . . . . . . . . . . 252
Adjusting audio volume. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 254
Adjusting audio gain. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 256
Normalizing audio. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 257
Creating a split edit. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259
Adjusting audio levels in a sequence. . . . . . . . . . . . . . . . . . . . . . 260
Working with the Audio Mixer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 264
12 Sweetening Sound
Getting started. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 270
Sweetening sound with audio effects. . . . . . . . . . . . . . . . . . . . . . 271
Adjusting EQ. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 275
Applying effects in the Audio Mixer. . . . . . . . . . . . . . . . . . . . . . . 279
Cleaning up noisy audio. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286
13 Adding Video Effects
Getting started. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 296
Working with effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 296
Keyframing effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 311
Effects presets. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 315
Frequently used effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 318
14 Color Correction and Grading
Getting started. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 328
Color-oriented workflow. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 328
An overview of color-oriented effects. . . . . . . . . . . . . . . . . . . . . . 340
Fixing exposure problems. . . . . . . . . . . . . .. . . . . . . . . . . . . . . 344
Fixing color balance. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 347
Special color effects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 353
Creating a look. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 355
15 Exploring Compositing Techniques
Getting started. . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . 360
What is an alpha channel?. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 361
Using compositing in your projects. . . . . . . . . . . . . . . . . . . . . . . . 362
Working with the Opacity effect. . . . . . . . . . . . . . . . . . . . . . . . . . . 364
Working with alpha-channel transparencies. . . . . . . . . . . . . . . 366
Color keying a greenscreen shot. . . . . . . . . . . . . . . . . . . . . . . . . . .368
Using mattes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 371
16 Creating Titles
Getting started . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 382
An overview of the Titler window . . . . . . . . . . . . . . . . . . . . . . . . . 382
Video typography essentials . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 387
Creating titles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 392
Stylizing text . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 397
Working with shapes and logos . . . . . . . . . . . . . . . . . . . . . . . . . . 402
Making text roll and crawl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 408
17 Managing Your Projects
Getting started . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 418
The Project menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 419
Using the Project Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 421
Final project management steps . . . . . . . . . . . . . . . . . . . . . . . . . 424
Importing projects or sequences . . . . . . . . . . . . . . . . . . . . . . . . . 424
Managing collaboration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 425
Managing your hard drives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 425
18 Exporting Frames, Clips, and Sequences
Getting started . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 430
Overview of export options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 430
Exporting single frames . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 431
Exporting a master copy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 433
Working with Adobe Media Encoder . . . . . . . . . . . . . . . . . . . . . 435
Exchanging with other editing applications . . . . . . . . . . . . . . 443
Recording to tape . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 446
Index
19 Authoring DVDs with Adobe Encore
Bonus chapter
새 프로젝트 생성시 ▼아래설정들이 뜬다.
TimeCode : This is the default option.
TimeCode is a universal standard for counting hours, minutes, seconds,
범용적 표준이다. 시,분,초를 세기위한
and individual frames for video files or tape.
개별 프레임들을 세기위한
The same system is used by cameras, professional video recorders, and nonlinear editing systems all around the world.
Feet+Frames 16mm or Feet+Frames 35mm
: 35mm가 랜즈폭이 좁아지고 더 디테일한 촬영에 쓰임 (값이 클수록 접사용)
Frames : This option simply counts the number of frames of video,
starting at 0.
This is sometimes used for animation projects
and is another way that labs like to receive information
about edits for a film-based project.
Audio Samples
: When digital audio is recorded, a sound sample is taken, as captured by the microphone, thousands of times a second.
In Audio Samples mode, Adobe Premiere Pro will display time in your sequences as hours, minutes, seconds, and samples.
The number of samples per second will depend on your sequence settings.
MilliSeconds
: With this mode selected, Adobe Premiere Pro will display time in your sequences as hours, minutes, seconds, and thousandths of a second.
캡쳐형식
DV : 일반사향 DV방식으로 촬영했을때
HDV : 고사향 DV방식의 캠코더로 촬영했을때
Premiere를 키고 Video Track에 영상을 옮기면 뜰 수 있는 경고
이 클립은 시퀀스 설정과 일치하지 않습니다. 클립의 설정과 일차히도록 시퀀스를 변경하시겠습니까 ?
▼기존설정유지 를 누르면 아래처럼 Zoom인 된 상태로 작업해야 할 수도 있다.
시퀀스 설정 변경을 권장한다.
▼이미지(=Photo)를 Track에 Drag해서 옮겼는데 사이즈가 안맞을경우
우클릭후 Scale to Frame Size를 해주면 된다.
효과컨트롤의 비율조정을 통해서 이미지사진의 ZoomIn ZoomOut을 할수 있다.
균일비율 체크박스를 꼭 체크해주고 조절해줘야 이미지가 깨지는걸 방지할 수 있다.
★프리미어 프로로 랜더링할때 (단축키 :: Ctrl + M)
최대 심도로 랜더링 해야 편집중간에 누락된 부분없이 성공적으로 랜더링 된다.
영상 자르기할때 단축키 Ctrl+K
영상이 만약 옆으로 틀어져 있다면,
트랙위 영상 클릭후 >> 효과컨트롤 >> 회전 >> 90도
▲Ctrl + Left-Click : 영상의 Fade-In, Face-Out 포인트를 지정할수 있다.
포인트를 삭제하고 플땐 위 트랙위 Yellow Line상의 다이아몬드를 우클릭후 삭제를 택하면 된다.
▲영상 자르기할때는 C, 원래로 돌아올때는 V
현재 보이는 영상 지점을 Cut할때는 Ctrl+K를 누르면 된다.
▼요런식으로
원래이미지가 photos#2가 되고
거리서 사람만 남고 배경이 싹 사라지면서 Photo#1의 배경이 오버랩되는 효과입니다.
그리고 Bird Images는 바닷가의 느낌, 그리고 원근감을 살려주는 조미료가 되죠
0:32
We need to edit all layers together to create the scene.
▼포토샵(=PhotoShop)에서 작업한 psd파일을 갖고온다. (png도 test해보니 무방하다.)
(Merge Layer Styles로 세팅하는걸 잊지말것)
▼3D형태로 Switch 해준다.
▼참고로 PSD파일을 AfterEffect로 끌고오면 Project에 파일이 보이는데
이걸 WorkSpace로 끌고와야 Switch to 3D 작업이 가능해진다.
아참 !! Cube아이콘 눌러서 3D Layer로 활성화 시켜줄것!!!
1:15
Layer>>New>>Camera (단축키 Ctrl+Alt+Shift+C)
Focal Length를 50mm로 조정해준다. (어떤게 적합한지는 좀더 Test해볼 필요가 있다.)
1:18
Right Now, All my Layers have the same coordinates in the 3D space.
composition을 선택해줘야 Camera아이콘이 활성화 된다.
이때 Orbit Camera Tool을 써줘야 3D 효과를 줄 수 있다.
Preset (=프리셋) 추가할때
Transition Pack download
Orange83_transition_Pack3_v1_1.zip
우선 해야할껀 Adjustment Layer를 생성시키고 Track의 맨 윗층에 추가시킨다.
영상A와 영상B가 있는 과도기 부분에 위치시켜주는게 좋다.
TimeLine의 왼쪽에 연달아 붙어있는 3개의 아이콘중 가장 왼쪽이 Magnet이다. (쓸모있음)
귀퉁이를 Drag하여 Scale Down 시킨다.
이렇게 딱 알맞을 싸이즈로 해주기 위함이다.
▼효과탭을 누르고 Circle Effect를 드래그 해준다.
Blending Mode >> Stencil Alpha >> Radius를 선이 충분히 보일정도로 조정해준다.
Center Modify를 해준다.
▲3:40
▼Radius 값을 최대한 낮춰주고, 아래 그림에서 빨간네모로 표시한 타이머 아이콘을 눌러주면, 바로옆의 타임라인에 KeyFrame이 생성된다.
타임라인을 적당히 옮겨주고 Radius값을 넉넉히 높혀준후 다시 타이머아이콘을 눌러주면 새로운 KeyFrame이 생성된다.
움직이는 객체라면 Position을 조정해주면 된다.
▼반경=Radius 라인을 보자
시작점부터 Bigger부분까지 원반전 없이 점점 커지므로 선이 점점 퍼지는 형태이다.
Smaller지점부터 다시 Radius가 살짝 작아졌다가 끝점까지 Radius가 커진다.
중요간건 Smaller지점부터 수직으로 내려오는곳에서 원반전을 체크해줘서 KeyFrame을 생성시킨다.
그러면 퍼졌던 선이 사라지는 효과가 생긴다.
★그러면 깔끔하게 터지고 사라지는 효과가 생긴다. (4:57)
이게 비누방울 터지는 효과를 만들어 보자
늘 그렇듯이 Project >> Icon >> New Title
▼비누방울을 편하게 그리기 위해선 속이 비어있는 원을 그릴 필요가 있다.
▼비누방울을 S라인으로 이동하게끔 하기위해서
우선 위치=Position 을 눌러서 시작 KeyFrame을 생성시킨다.
시작점과 끝점을 먼저 KeyFrame으로 표시해준다.
중간에 Curve는 그 다음에 만들어준다.
오른편에 S라인으로 움직임을 확인할 수 있다.
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